downside
Voice lets her go.
Shell doesn't know how long it's been. She doesn't know where she is. She doesn't know how to get home, or if she has one.
She stands on Voice's doorstep. She blinks slowly at the brightness.
She walks in a random direction.
Downsiders aren't big on charity. It's not like it's going to kill her if she doesn't get help. It's not like she's unfamiliar with the effects of dehydration and hunger; Voice didn't always remember to take good care of the pet in the basement. Shell walks, and when she's tired she lies down on the ground and sleeps, and when she wakes up she walks, and every few days she curls up on the ground, waits to torch from thirst, and then gets up and goes on.
She doesn't count the number of times this happens. It doesn't matter.
She walks. She has nightmares. She walks.
On an unremarkable day on an unremarkable street after unremarkable stretches of years, she feels herself cross a telltale threshold of dizziness and headache: she cannot make significant forward progress towards Not Where She Is Currently Located until she torches or (less likely) someone gives her a lot of water. It's possible she'll be able to sleep through this torch. She sits. She leans on a wall. She should probably pick up the next sharp object she finds. Maybe a piece of broken glass will present itself. Then she can skip these parts.
She sits, and she closes her eyes, and she waits. If the buildings around her would ever have seemed familiar, they don't now.
Shell doesn't know how long it's been. She doesn't know where she is. She doesn't know how to get home, or if she has one.
She stands on Voice's doorstep. She blinks slowly at the brightness.
She walks in a random direction.
Downsiders aren't big on charity. It's not like it's going to kill her if she doesn't get help. It's not like she's unfamiliar with the effects of dehydration and hunger; Voice didn't always remember to take good care of the pet in the basement. Shell walks, and when she's tired she lies down on the ground and sleeps, and when she wakes up she walks, and every few days she curls up on the ground, waits to torch from thirst, and then gets up and goes on.
She doesn't count the number of times this happens. It doesn't matter.
She walks. She has nightmares. She walks.
On an unremarkable day on an unremarkable street after unremarkable stretches of years, she feels herself cross a telltale threshold of dizziness and headache: she cannot make significant forward progress towards Not Where She Is Currently Located until she torches or (less likely) someone gives her a lot of water. It's possible she'll be able to sleep through this torch. She sits. She leans on a wall. She should probably pick up the next sharp object she finds. Maybe a piece of broken glass will present itself. Then she can skip these parts.
She sits, and she closes her eyes, and she waits. If the buildings around her would ever have seemed familiar, they don't now.
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Eventually, for a change of pace, she opens the door to the bathroom to see just how much shampoo she has now.
This door reveals no shampoo at all.
"- Oh," she breathes, because she can't remember the name of the place, can't remember what it is, did not until this moment remember that there was such a thing to have been forgotten, but this feels like a thing that can happen, and now it has. "Oh, oh, oh."
And the thing that has happened means: go inside. It is safe. It is better than where you are.
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Her fingertips catch on the edge of the door. "Are you coming?"
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When she doesn't have to hold it anymore to let him by, she does go further into the bar.
But she can't remember what she used to do here - cannot actually call up a memory of being here at all. She only knows that it's safe here.
She turns in place, once she's far enough in to have a view, and drinks in the surroundings.
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No one looks familiar, but they all look like people-who-can-be, even the people who don't look like anyone in Downside.
She must have been here before.
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Also, he appears to recognize her.
"Hiya, smarty pants," he says amicably.
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"Did I know you once?" she asks slowly.
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She's had decades to process Voice, and while she would be very alarmed if anything about her situation suggested that Voice or anyone Voicelike was about to capture her again, she is not particularly alarmed to be merely describing the history. Not here, where it's safe; not when the door will lead back to her cluttered apartment, also relatively safe.
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